Showing posts with label historical. Show all posts
Showing posts with label historical. Show all posts

Thursday, August 25, 2011

李小龙, 我的兄弟, Bruce Lee, My Brother: A Twist on Chinese Superhero -- A Good Twist or Bad?

Bruce Lee, My Brother is an interesting new film released on Thanksgiving 2010 in Hong Kong by directors
Manfred Wong, and Wai Man Yip. The main actor is Aarif Rahman (Wang Lee Hom look alike!! *sigh*).




Okay, a little background on Bruce Lee for anyone out there who is curious:



Born Lee Jun Fan, on November 27, 1940, in San Francisco, California. His father, a Hong Kong opera singer, moved with his wife and three children to the United States in 1939; his fourth child, a son, was born while he was on tour in San Francisco. Bruce studied dance, once winning a cha-cha competition. As a teenager, he became a member of a Hong Kong street gang, and in 1953 began studying kung-fu to sharpen his fighting skills. In 1959, after Lee got into trouble with the police for fighting, his mother sent him back to the U.S. to live with family friends outside Seattle, Washington.
He got a job teaching the Wing Chun style of martial arts that he had learned in Hong Kong to his fellow students and others. Through his teaching, Lee met Linda Emery, whom he married in 1964. By that time, Lee had opened his own martial arts school in Seattle.
Lee gained a measure of celebrity with his role in the television series The Green Hornet, which aired from 1966 to 1967, while his most notable role came in the 1969 film Marlowe, starring James Garner. Confronted with the dearth of meaty roles and the prevalence of stereotypes regarding actors of Asian heritage, Lee left Los Angeles for Hong Kong in 1971, with his wife and two children (Brandon, born in 1965, and Shannon, born in 1967).


End of history lesson. Onto the film!

Bruce Lee, My Brother is an 'eh' sort of film. The positive side to this film is the quirky, cute humour that Rahman depicts very well and the bittersweet inspiration near the end of the film. This movie is less action (like I expected) and more to do with Lee's family and younger life in Hong Kong, so the point of view from which Wong and Yip directed it is relatively original. As BeyondHollywood.com says, "What 'Bruce Lee, My Brother' lacks in the action department, it somewhat makes up for it in other areas...“My Brother” is more palatable as an easy-going coming-of-age drama, at least when it’s not masquerading as the true story of a famous person. The film boasts some impressive production values, and there is a very real sense of adoration for the film’s ’60s setting by the filmmakers." However, Bruce Lee is a martial arts actor, yet the film doesn't have a decent martial arts/ karate choreography? What is this? Also, the film is shot in choppy time intervals -- you haven't gotten a gist of the scene yet, and bam, it is ten years later, little Bruce is already 20 years old. It is interesting how quite a few Asian historical films (Great Revival, anyone?) has this weird problem. At many times in My Brother, I got lost with where the film was roughly going. That was a bit annoying. JapanCinema.com says, "The casting is great, and although the pace and the story telling is uneven in many parts, it tends to inhibit a pretty big, strong wave of positive momentum. Sadly, the fight scenes weren’t up to par. The main reason for my beef with the fighting is it is all visually appealing, yet, it never really shows the techniques of the famous wing chun system. I felt this is important to elaborate upon when dealing with a Bruce Lee biopic. Yes, this is the same wing chun at Ip Man’s school, and it’s during this section of the film where events portrayed can seem too dramatic to have been true. That aside, no effort was spared in the attention to detail in sets and costumes. Bruce Lee, My Brother is a movie with great packaging but contains nothing of real, lasting substance on the inside." I guess it is up to the viewer, and what you want to get out of the film...if it is good action, then maybe switch to Ip Man and Ip Man II.

IMDB rates this movie 6.6/10 stars -- I am with IMDB this time with 3.5/5 stars, aka 'average'. Nevertheless, worth a watch. Pretty inspiring.

This weekend, let's review a Taiwanese black comedy!

















Saturday, August 13, 2011

建党伟业,Beginning of the Great Revival:Too many stars, too little history


now why isn't Wang Li Hong on the cover?! *outraged*
 Beginning of the Great Revival is a movie by Sanping Han/Jianxing Huang celebrating the 90th anniversary of the great revival of the communist party in China, and it came out June 11, 2011 in Hangzhou, China. In order to fully understand and review this film, we must try to let go the conceptions most of us hold on the idea of communism and just look at the film as objectively as we can.

It sucked.

I mean, I actually am not against the 'propanganda' purposes of this film -- I think one should judge a film from a clean slate -- just the lense of whether the director did a good job on portraying the emotions that he/she wanted to portray.

Many pro-communism Chinese people hate the movie too:

“一个极为严肃,令人动容,影响几乎百年历史发展轨迹的题材,居然能被演绎成明星化、娱乐化,、时尚化的流行影剧..."
【多维新闻】本文网址:http://blog.dwnews.com/post-140396.html

Roughly translated as: "Such a serious, moving history that have for a hundred years affected China's progress and people, was actually downplayed to a star-oriented, entertainment-oriented, pop (culture)-oriented blockbuster film..."

:“导演黄建新完全是电影剪辑的小学生,此片故事之庞大,人物线索之多,完全就是一部五十集电视剧的容量,将一部五十集的电视剧压缩成一百三十分钟,可见其人物、故事被挖得有多空。”

【多维新闻】本文网址:http://blog.dwnews.com/post-140396.html

Roughly translated as: "Director Jianxing Huang is totally like a simple student; the history this movie talks about is enormous, and should be covered through a 50 series TV series. This movie shrinks that to a 130 minute fastfoward; you can imagine how empty the content has been shrunken to."

Every three minutes, a star appears, and everyone points and gasps. All Chinese stars have been squeezed into this film, including Liuye as Chairman Mao (who acted horribly), Aloys as Enlai Zhou, pop-singer-that-I-don't-know Han Geng as Xiaoping Deng, and pop-singer-and-my-only-pop-idol-in-this-world Leehom Wang as Jialun Luo (he appeared for a total of 2 minutes as the rebel student...T.T). In total there are more than 20 internationally renowned actors. This overflow of famous actors of course downplays the depth of historical understanding people can learn from the film, and after a while, the constant 'oh my gosh its fill-in-the-blank from blah-blah-movie!' gets old. It was after that where I started asking, "why am I watching this?" At the end, I felt like there was no 收获 -- anything that I got out of the film that inspired me or even informed me about the history.

All in all, I officially on this blog give this Chinese film 2 out of 5 stars. The 2 stars are for the great performances of some of the actors during some of the 130 minutes (aka not a lot of boredom). Despite the huge paragraphs of criticism above, this movie was somewhat ok (not great failure).

I do encourage my followers to watch it though; it is not worth missing out on, especially for non-Chinese followers. It is a great way to understand basics of Chinese history.

Thanks for reading, make some comments, and give me suggestions @ wanghui138138@gmail.com!

This Thursday, we'll be having a post on an exciting Japanese manga classic from the Glibi Collections. G'nite!